I approach each of these sets with a particular interest in how the texts’ forms-both the textual variants contained within them and the physical objects upon which they are inscribed-may reflect practices of engagement with the letters, drawing attention to the ways in which ancient readers, scribes, and ritual specialists grappled with questions about these texts’ source, attribution, stability, and reliability. This article analyzes two sets of late antique witnesses to the Abgar-Jesus correspondence: the discussion of the letters in the literary record of the 4th–6th centuries and the Coptic version of the correspondence, as preserved in amulets and ritual formularies. Furthermore, by drawing parallels between themselves and the legendary King Abgar, ruler of the first Christian state, the Frankish counts of Edessa could claim that the county was a unique and independent lordship created before the other Crusader states. This was forging the common identity of the Franks and their Oriental Christian subjects, mainly the Armenians and the Syrians, as a “chosen people”. The protection was ensuring, in their vision, through the pact established between the citizens of Edessa and God. The Christians who lived in the County of Edessa believed that its capital was under divine protection. Already at the beginning of the twelfth century the Edessan Franks adapted and actualized the legend. It seems that the first crusaders arrived to Edessa were familiar with Abgar legend. On the eve of the First Crusade, the Abgar legend was widely known in Western Europe despite the fact that it was considered apocryphal and, therefore, condemned by the Roman Catholic Church. Jesus’ promise to King Abgar to protect Edessa against enemies had become the main motif of the legend, as reflected in the use of Abgar’s and Jesus’ letters as apotropaic amulets. Having grown up in the third century, the legend widely spread throughout the Near East. Its core episodes are the letter exchange between King Abgar of Edessa and Jesus Christ, the healing of Abgar and the conversion of the city of Edessa to Christianity. The Abgar legend is included in the corpus of the New Testament apocryphal legends. Gurinov, “The blessed city”: Edessa and the Abgar legend in the age of the Crusades, in Opere et Veritate: Sammelband von wissenschaftlichen Werken, gewidmet dem 10-jährigen Jubiläum der Zusammenarbeit zwischen den Historikern von weißrussischen Universitäten und der Universität Tübingen, ed. 160 Tomasz Polański Keywords: Abgar Letter. It focuses mainly on Eusebius of Caesarea’s Greek Abgar/Jesus correspondence, a relevant passage from the Syriac Doctrina Addai, and a couple of Coptic texts with the Leyden Papyrus Anastasy 9 and Papyrus Régnier 3151 from Vienna, and refer them to the Greek inscriptions from Ephesus, Pontus (Gurdju, Hadji Keui), Edessa, and Philippi (4-6th centuries). Abstract: The paper discusses certain grammatical structures of a number of the selected Coptic, Syriac and Greek texts and assesses them as translations and versions. Se centra principalmente en la correspondencia Abgar/Jesús de Eusebio de Cesárea en griego, un pasage relevante de la Doctrina Addai siriaca, y un par de textos coptos con el Papyrus Anastasy 9 de Leiden y el Papyrus Régnier 3151 de Viena, y referencia a ellos de las inscripciones griegas de Éfeso, Pontos (Gurdju, Hadji Keui), Édesa, y Filipos (siglos IV-VI). Resumen: En este artículo se analizan algunas estructuras gramaticales de una selección de textos coptos, siriacos y griegos y se los evalúa como traducciones y versiones.
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The jazzy boom-bap of “Message in a Bottle” blends well with the peppy production on songs like “FOMF,” and Soul is game for all of it: He sounds as comfortable dipping through the grooves of Jacob Rochester and Beach Noise’s gleaming boom-bap on “Bucket” as he is over the synthetic rush of DJ Dahi’s “Church on the Move.” Awkward sex raps aside, Soul’s performance on “Go Off” is fluid and exciting, his voice booming like it never has before. Production on earlier projects took a darker bent, but the beats on Herbert skew bleach-white with brighter sounds and clearer perspective. That’s a shame because Soul is working with the lushest beats of his career. Some are word games that yield boring prizes (“Knew I might be on BET/Now I think I might be E.T.”) some are bouts of dated braggadocio (“You very venereal, I’ma set you men straight”) some are nonsensical (“Would a honey stay when the money goes?/I dunno, ask Winnie the Pooh”) or just straight up corny (“Just keeping it a buck, I’m on one, George Washington.”) Soul’s love for hip-hop is evident in his delivery and his academic commitment to interpolations o f Grandmaster Flash and Lauryn Hill songs, but these tryhard raps-and the “what happened to hip-hop?” screed that opens “Moonshooter”-detract from both the serious and fun songs across Herbert. There are at least one or two clunkers on nearly every song, lines meant to be clever that, in reality, wouldn’t cut it in an episode of Epic Rap Battles of History. The funniest and most shocking bars walk the line between the realest shit you’ve ever heard and quips from a book of dad jokes, and several of Herbert’s songs lean dangerously toward the latter. He may have left the amateur philosopher schtick behind, but this is a man who grew up idolizing battle rappers like Canibus, and old habits die hard. These flashes of his personal life are nothing short of harrowing.īut Soul’s penchant for forced wordplay and over-commitment to Real Hip-Hop spoils the mood. On “Do Better,” he grapples with survivor’s guilt while interpolating lyrics by his late friend Mac Miller and on the title track, he describes the sickness breaking his body down (“Eye doc said I need new corneas/I’d rather need those than a coroner”) while confiding in the family he has left. When he locks in on specific moments, like examining his public image on opening track “Message in a Bottle” or reminiscing about friends who kept him away from street life on “Hollandaise,” his elastic flows and storytelling bring the corners of his block and his mind to life. Herbert is Soul’s first album devoid of the encyclopedic deep-dives that have been a hallmark of his work for the last decade. His best songs painted him as more than just Ras Kass with access to BearShare: He was inquisitive and sly, funneling historical texts and philosophies into jokes and bouts of self-discovery. And while he sounds reinvigorated, his worst tendencies as a rapper consistently hold him back.ĭuring the peak of Top Dawg Entertainment’s popularity in the first half of the 2010s, Soul was known for breaking down complex spiritual, political, and historical ideas into smoothly rapped, if occasionally overwrought, forms. Herbert is framed as his most personal project, the one most reflective of his government name in its title. Though the video for single “Do Better” features an alleged reenactment of that attempt, Soul says the song-and most of the album-was written beforehand. In 2016, Do What Thou Wilt. marked a turning point in the life and music of Herbert Stevens IV: drug addiction and a rabbit hole of conspiracy theories figured heavily into his songs, isolated him from his family and, during the creation of his latest album, Herbert, led to a suicide attempt of his own last year. The song corralled Soul’s fascination with religion, conspiracy theories, and traditionalist wordplay into a bracingly personal story that’s more unsettling a decade later-if only because of how prescient it turned out to be. What starts as an abridged telling of his childhood battle with the rare skin disease Stevens-Johnson syndrome gives way to a recollection of his relationship with singer Alori Joh, who died by suicide months before the album’s release. On “The Book of Soul,” the penultimate song from Ab-Soul’s 2012 breakout album Control System, his life flashes before his eyes. Once the download completes, the installation will start and you'll get a notification after the installation is finished.
Not much of an import selection but that's not what I came here for, I suppose this would be a bit more bothersome if you lived in the area and wanted a wider selection of such things, but I am spoiled so I can't really complain about that particular lack of selection. So they at least keep the beer in pretty decent condition here, which is nice to see. I didn't see very many, if any, bottles covered in dust. This is not a big store, which is nice because it seems like the bottles get turned around pretty quick here. Few from Upland, Steel Head, some other locals that I can't find in Illinois. Lots and lots of Stone, almost a full line up I'd say and what was nicer was seeing that basically every bomber the store carried could also be found in coolers in the back of the store. Walked in to the beer stacked up on the right. Easy place to find thankfully, no one needs to drive around Indiana needlessly. Made my way out to Indiana to visit 3 Floyds, saw this on beerfly, saw that I was severely lacking in Stone beer and decided that this was the place to find it. Please don't get me wrong here, this isn't a terrible place to stop, but it is far from the best in the area. The proximity to FFF (about 10 min away) is the best feature of this store. If you're coming from out of state, it isn't a bad store to hit up, but don't expect too many gems. If asked "do have any (insert limited beer name here)?" the reply is almost always a generic, "it's all gone but we should get more next week." It never comes though of course. The employees don't seem to care about beer too much except that it is an item they sell for profit. The store is also very warm inside, well above normal room temp, which I see as a negative. Otherwise, the selection is about the same as the Delocke's in Munster only it is smaller here. Now those have all dried up- you can't find Saison Brett, BBQ, or Rye on Rye any longer and it makes me a sad panda. There used be a never-ending supply of the best of the Smokestack beers from Boulevard. At least, that's what I would have said last year. This is a decent little shop- lightyears ahead of either Delocke's Discount Liquor stores. Overall I will still probably stop here if I am in town (though I admit I didn’t go here yesterday when I went to pick up some Zombie Dust), but this store can use some improvement. The value was good, though a hint pricier than stores I am accustomed to frequenting in Illinois. This is disturbing for two reasons: first of all, it is a year old DIPA they are still trying to sell for $11 dollars second of all, they are located less than ten minutes from Three Floyds and they are trying to pull this stunt. While the selection is good, the most disturbing thing was I saw year old Arctic Panzer Wolf on their shelves – the graphic of the Viking woman (not the wolf). The selection is a hell of a lot better than the Discount Liquors a few minutes away, though over the past few years I have stopped in, they definitely do not have as much “rare” stuff that they used to have (I may attribute this in part to the fact that many more people are into craft beer now and pick up all the “rare” stuff that would have stayed on the shelves a few years ago). They had just got some Blushing Monk in a while back and let me know about it (it was behind the counter) and let me know of other random oddities. The service for the times I have been there was relatively good. It is a bit rundown inside and is hot as hell which is not reassuring. The quality of the store needs a bit of improvement. The atmosphere is what you’d expect for a smaller family run liquor store. 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